Interestingly, a connection can be drawn between Kriesel’s work and the Surrealist card game “Jeu de Marseille.” This tarot-like deck, created in exile in 1940–41 by André Breton and other Surrealists, replaced traditional card symbols with Surrealist motifs. Inspired by this concept, Kriesel developed the idea of designing his own tarot deck. His Moleskine sketchbook was intended to serve as a rich repository of figures, symbols, and archetypes that reflect the peculiarities of our digital era.
In Kriesel’s sketchbook, a world is revealed in which absurdly quirky faces and masks, drawn with fine lines, take center stage. These figures are not only aesthetically fascinating, but also function as a distorting mirror of the growing masquerade in our social media–shaped society. They embody the tension between authentic identity and digital self-presentation—in an age of AI and the question of what distinguishes humans from machines.